Tom: F major•
Verse 1
when I was a knee -pants.
Bb
Ebm
My mama done told me, son,
Fm
Ab
a woman'll sweet -talk
Fm
Bb
and give you the big eye.
Dm
F
C
F
F#dim
But when the sweet talking's done,
D
Gm
a wo man's a two -faced,
C
who'll leave you to sing the blues
F
Csus4
F
C
in the night?
F
Fm
Now the rain is fallin',
hear the train a -callin', hoo -wee
Bb
Fm
hear that lonesome whistle
Db
C
Blowin' cross the trestle, hoo -wee
Csus4
Bb
hoo -wee to hoo -wee
Csus4
Db
C
Oh, clickety -clack is echoing back
Fm
F
Csus4
F
The blues in the night
Fm
Bb
The evening breeze will start
Db
C
The trees to cryin'
Ab
Abm
Abdim
And the moon will hide its light
G
D
Ebm
D
G
When you get the blues
F
G
Gm
Csus4
C
in the night
Bb
Db
C
Take my word, the mockingbird will sing
Ab
Abm
Abdim
the saddest kind of song
G
Ebm
D
G
He knows things are wrong,
F
G
Gm
an d he's right
Csus4
C
F
From Natchez to Moby,
from Memphis to St. Joe
wherever the four winds blow
Adim
Ab
B
Ab
I've been
Bb
and heard me some big talk
F
Dm
but there is one thing
F
F#dim
D
Gm
I know a woman's a two -faced
C
who leave you to sing the
F
Gm
Csus4
blues in the
Eb
D
Gm
Csus4
My, my mama was right
C
Ab
Fm
F
Bb
There's blues in the night
Bdim
Csus4
C
F
Buddy Rich going all out
on one of his unique song stylings,
Blues in the Night.
And now let's focus the spotlight
on another talented vocalist.
Only this one is a charmer,
pretty, petite and perky, Peggy King.
Greetings, everybody.
Hi, Jimmy. Hi, Harry.
Gee, Harry,
that golden trumpet of yours
is really all shined up.
Almost hurts my eyes to look at it.
What's up?
Well, I figured if you were going to sing
Swing Low, Sweet Chariot,
the least I could do would be to get the old
horn in respectable shape.
You all set and raring to go?
Let us do the song.
Okay, Peg.
Take over the hall.
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