Tom: C major
Verse 1
tell me
what your new film is about,
perhaps I can help you with its plot,
which has always been one of
your weakest points.
Right, thank you, that's very
generous.
Let me see, where do I begin?
At first, nothing.
Then, music.
The action begins in a graveyard.
A man has been buried alive,
He's scratching and clawing,
Poor fellow, he's caught
Fm
He's fighting his way to the surface,
It's likely he'll never survive,
He hardly can breathe,
And he's desperate to keep an
Csus4
appointment for lunch.
An appointment for lunch?
That's absurd.
It's humorous.
It sounds depressing.
Dm
G
In fact, we begin with a wedding,
A follow -up to what I've described.
They're happy and gay and
in love and spring,
F
and the trees are all green.
A trio of capuchin monkeys
insinuates into the frame.
They chatted a bit,
and then one disappears,
Fm
Eb
but the others remain.
Fm
Csus4
Have I mentioned the train?
The train?
Fm
Of course, there are trains
Dm
D
With a bold, clean masterstroke,
G
A
a bold, masterstroke,
Suddenly, suddenly, suddenly, suddenly,
D
suddenly, we see fire and smoke
With a ball clean, master stroke,
A
a ball clean, master stroke
Suddenly, suddenly, suddenly, suddenly,
Dm
suddenly, there's a train
F
Fm
With a ball clean, master stroke,
C
a ball clean, master stroke
Fm
Suddenly, suddenly, suddenly,
G
Fm
suddenly, one colossal joke
F
C
And the monkeys all get on,
the monkeys all get on
Suddenly, suddenly, suddenly, suddenly,
F
suddenly, they are all gone, ciao!
Dm
Ddim
Continue! This is not what I want.
Dm
Gsus4
There are no trains in a spa.
G
There are no monkeys in a spa.
And where is the singing?
Where is the dancing?
Dm
What singing?
Ddim
What dancing?
When we had lunch in Paris,
Gm
you told me you could not wait
to do a musical.
G
A musical?
Why do you think I gave you this
contract?
Ddim
What was I drinking at that lunch?
C 'est pas possible, je ne peux plus
que je m 'associe tou
jours avec les idiots.
Madonna, Madonna!
O que você achou da música?
AfinadorE A D G B E
AcordesG Dm Fm Csus4 Cm...
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