Tom: D# minor
Intro 1
Am
G
C
Am
G
C
Am
G
C
Am
C
G
Am
Verse 1
Am
walk through the street,
G
C
feeling part of the crowd?
Am
Though she knew at night
C
Am
She used to say the
G
C
universe will provide
F
But that's one hell of a space
C
G
Am
to call a home
G
C
Am
An d I still think of her
G
C
on cold, gray mornings
G
C
the Royal Exchange
Am
G
C
With old Irishmen who live in one
F
C
G
Am
And dream of horses on the range
C
F
It's your life,
C
F
C
you're making tracks
F
Bb
F
But I can't be there
G
C
And come on back
G
C
Come on back
Am
G
C
Well I rubbed my face as the day wore on
Am
I walked through back streets
G
C
G
C
to the black man bar
Am
G
Thought about my dear old friend
C
F
Noel Harry brought me here
C
G
C
to say goodbye
F
C
That splendid man they
G
Am
G
C
left to die
Am
G
C
And I cut my hand on an old, story
Am
G
C
As I turned the page to see who died
Am
G
C
I saw the salt pouring into the wound
F
C
G
Of little boys who
Am
G
C
couldn't cry
C
F
C
you're making tracks,
F
Bb
F
but I can't be there
G
C
G
C
and come on back, come on back
Am
There's a shoreline where
G
C
old men work hard
Am
G
C
They can't afford life's easy tears
G
C
with their hands
F
C
G
Faces wet with rooting fear
Am
G
C
Am
An d it's a long
G
C
way to the ocean floor
Am
G
C
And the golden harp is sinking slowly
Am
G
C
Trumpet sound in a humble portrait
F
C
The sound turning slowly in the
G
Am
G
C
salty floor
It's alright,
G
C
you're making a change
F
Bb
F
But I can be there
G
C
and come on back
G
C
Come on back
G
C
in the underground
Am
G
C
In Marlapone Station in London Town
G
C
and asked if I was okay
F
C
I said, I'm working on my philo
G
Am
G
C
sophy
G
C
when the bluebells call,
Am
G
C
To country lanes that I have known,
Am
G
C
I see children swimming in an English room
C
G
Am
G
C
they splash and shower
C
F
C
you're making tracks,
F
Bb
F
but I can't be there
If you change your mind
C
G
C
G
C
and come back, and come back
Am
G
And I dedicate this song to the hour
C
Am
G
C
When the power of roses lived in me
Am
G
C
With the thorn and with the petal
F
C
G
And with surrender to the
C
Am
G
C
Am
honeybee
and we came to New York.
I used to sit at a table drawing wings
with a pencil that kept breaking,
and I kept remembering
when it slept for several years,
C
G
to wake up asking why.
C
So then you turned into a photograph
F
of somebody who's trying not to laugh,
C
and somebody who's trying not
G
Am
C
to cry.
you
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AfinadorE A D G B E
AcordesAm G C F Bb
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