Tom: G minor
Intro 1
Em
E
D
A
F#
B
A
Em
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A
D
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Em
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D
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Bm
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B
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D
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Verse 1
Em
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B
Her words were sharp; they cut him deep,
A
D
In a war between the sheets.
Em
E
B
But when he brought his bull to her
A
D
It meant a woman making war
Em
E
Beyond the ei derdown.
B
A
D
Interlude 1
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Bm
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G
F#
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C
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A
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Em
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Verse 2
E
B
A
The druids read the smoke and sand;
D
Told her that she would love again.
Em
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The rhythms from the wolfskin drums
A
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Called men to war in hide and bronze.
Em
E
B
This goddess wore a crown.
A
D
A
D
Verse 3
A
B
Bm
Charolais, charolais
B
We are come for you today.
Bm
D
A
The champions and the Seven Sons are
G
F#
B
Come to take away the Donn
Verse 4
C
D
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E
B
the Fairy
A
D
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B
A
D
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A
D
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D
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Bm
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F#
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F#
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F#
E
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B
F#
E
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C
D
Em
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B
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D
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D
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D
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D
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Em
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F#
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Child knew more;
Saw the host stained red in war,
Saw the hero- light around
Bm
the head
D
Of a dragon- boy just ripe for bed
G
Ireland's most exciting saga is, undoubtedly,
F#
Bm
A
Tain Bo Cuailgne ( The
C
D
Em
B
Cattle Raid
A
D
Em
B
A
D
Em
of Cooley
B
A
), the centerpiece of the Ulster cycle of Heroic
Tales.
D
Normally referred to as "The Tain", it deals
Em
with the conflict between
B
The forces of Connacht and Ulster for
A
possession of a prize bull.
The events of the Tain are estim
D
ated to have taken place in Ireland
Em
B
Approximately 500 B.C. The earliest written version
A
D
A
D
of
Bm
To us is contained in the Book of the Dun
Cow, which dates from the 12th
Century. Before this the story was kep
t alive by storytellers.
Two other manuscript versions are also
available; the 12th century Book
Of Leinster and the 14th century
Yellow Book of Lecan. The Tain, as
Ireland's equivalent of the Aeneid,
has long intrigued historians, academics
And writers
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